The “Garden Variety” Writer Exposed

Okay, the cat’s out of the bag. I can finally say that I knew Brian Plante’s Chronicles of the Garden Variety Writers was fiction for most of its run. I began e-mailing Brian shortly after the series started, taking issue with the way he was playing unfairly with the writers in his group. He responded, in a rather civil and friendly way, but said that he planned on continuing the blog despite my objections and those of the other people who had e-mailed him to complain.

Encouraged that there might be a person with a real soul behind the e-mail, I continued the thread, and discovered that Brian really did care very much about how he was coming across, and he assured me that he had gone to “much greater lengths” than I could imagine to protect the people in his blog. I even did a little investigative web browsing, trying to point out to him how poorly the people were protected. I pinpointed the library where the group was meeting, the city they were in, and even attempted to check through back issues of the magazine in which he claimed to have found the ad for the group. I wasn’t able to find an exact ad, but I was convinced that an enterprising photographer (read out-of-work paparazzi) could hide out at the Hemby Bridge Library and snap blackmail photos of the group entering and exiting.

There was only one problem. I found reference to the county’s library system, and that it serviced the Hemby Bridge area. I could not find references to the shopping mall that Plante described. Enough of the details fit, however, that I was convinced Brian was endangering the trust of the people he was writing about. I could only think of one alternative, and that was that it was all fictional. At the end of one of our e-mails, I said to Brian that I hoped this was all made up so that he wasn’t playing with the lives of real people. He wrote back to confirm my guess the next day.

Brian asked me to keep quiet about it so the experiment could run its course, so I made mention of it in this journal a few times to see if I could assist in the experiment without directly exposing it. I did tell a few of my friends in Colorado about the blog’s fictional nature, because it hard sparked quite a controversy among us.

How do I feel about it now? I think it was a good experiment, and now that Brian has come clean about the nature of the blog, I think it succeeded. It’s a good way to illustrate some of the positive and negative workings of a writer’s group without betraying the trust of any real people. However, I also think it was a very risky thing for Brian to do to his career, and I know of a couple of people who lost respect for him because of the way he presented the fiction. Hopefully most editors and readers will look upon him with favor for daring to take the risk, rather than being upset with him for duping them.

Speaking of writer’s groups, the Melanie Tem group met tonight. I read what I had of “Chesterfield Gray” and got good feedback from the group as to where they thought the story should go. At the end of the meeting, I played “Ode to Billy Joe” on the guitar while Melanie sang the lyrics, aided by a few of the class participants. The assignment is to write something about what we think the narrator and Billy Joe threw off the Tallahatchee Bridge. I hope to come up with something completely off the radar and wedge it into a vignette before the next meeting.

Jammin’ With Jim

I got to play music with my good friend Jim for the first time in a couple of years today. I showed him my finished Carvin Bolt Kit and my Fender Cyber-Twin, then we BSed for a while. Eventually, we sat down with our acoustic guitars and played for a couple of hours. It was refreshing to play acoustic with him, and we slipped back into some of our old tunes with no problems. He also taught me the chords to Dylan’s “Tangled Up in Blue,” which I had always wanted to learn, but never tried. I taught him “Ode to Billy Joe,” since I’ve been working on it for the Tem class on Thursday.

I also got an e-mail from another friend, Bill, who had written a powerful short-short that he wanted me to read. I won’t give away the story, but I was impressed with it. I hope he can find a home for it somewhere.

I had intended to write a review of Word Work tonight and write some more on “Chesterfield Gray,” but somehow a chunk of time vaporized between dinner and bedtime; it’s now after 11:00 PM and I have to get up at 5:30 in the morning. I’m going to listen to my body and sleep.

Right after I read Trey Barker’s Veil of the Soul. Honest.

Oh, the Broncos beat the 49ers to go 2-0 on the season. Good start, gentlemen! (No, that’s not where my chunk of time went. I sacrificed watching the Broncos game to spend time with Jim. I told you he was a good friend.)

Commitment Conflicts

Today, we celebrated my friend Jackie’s birthday by going to a mini-golf course and out to dinner at Pizzeria Uno. That didn’t keep me from getting some reading done, though. I also read about half of Trey Barker’s chapbook, Where the Southern Cross the Dog. The book consists of three horror stories tied together by old blues songs, and I’m enjoying it so far.

One thing bothered me while I was at the mini golf outing, though. I was invited to my god daughter’s 2nd birthday party on an upcoming Thursday night, but I’m already committed to a writer’s group that night. It’s not really a session I can skip, like I did the Old Possum’s session last month, because I will be assisting in the delivery of the material. This is the class where I will be accompanying Melanie Tem on “Ode to Billy Joe” before we discuss the storytelling aspects of the song.

“Waitaminnit,” you’re saying. “I thought you did that last week.” Good catch. I was scheduled to, but that class was pushed back a couple of weeks, and I forgot to mention it in this creativity journal.

Most writing books state that if you are going to be a successful writer, you have to be prepared to sacrifice some time with friends and family, and that conflicts will inevitably arise. This is one of those cases. I haven’t been there much for my god daughters since I embarked on this writing thing, and that eats at me, especially at times like this. I justify it by saying that, at this point, I’m not really needed in their lives. When they are older, and need someone to relieve them from the stress of dealing with parents day-to-day, I need to be available for them. But I also realize that if I don’t have a long-term relationship with them, they won’t trust me when I will most be able to help them. I hate that struggle.

I feel guilty about something else, though, too. We could probably work something out for the writing group so that Melanie could continue it without me and my guitar present. But, when I honestly examine which I would prefer to do, I want to perform at the writing group more than attend the birthday celebration. That sounds harsh, but it’s honest. If my god daughter were older and we were closer, I would have a tougher time with the decision. Admitting that, I feel very guilty, but I also feel that I’m being true to what I want to do. I don’t know which is right.

Old Anniversaries and New Fiction

Today is the 14th anniversary of my first wedding. It’s one of those dates that I just can’t forget, try as I might. Amy, if you’re reading this, happy former anniversary. I’m sorry things worked out as they did, but I’m glad we get along pretty well now, for Keith’s sake.

Tomorrow is the Tem writing group, in which I am supposed to accompany Melanie on guitar while we sing “Ode to Billie Joe.” I’m ready, I think. It’s a pretty easy song to play, but I have to wonder if the surviving recordings are at a different pitch then they were actually mastered. The TAB and chord files that I have found on the ‘Net indicate that the song should be played in F, but it sure sounds like D to me. I actually like playing it best in E, because I can get a funky little half-step slide in there to imply the song’s bass line.

I’ve mentioned that the homework for that session is to write something out of our comfort zone, but also (if we wish) follow the guidelines of including a tavern or bar. I sat down at the keyboard, knowing only that I was going to attempt either a romance or a horror story, and something calling itself “Chesterfield Gray” came out. By the end of the first 200 words, I had three characters interacting obliquely in a 1940’s era waterfront bar. It was a great start, but then stopped cold after about 550 words. I found I had questions to answer before continuing.

When the female character started directly addressing one of the male characters, he surprised me, because he is pretty much a jerk. Why is he like that? How is she going to react? Could anything develop between them after him being such an ass? Will she take his put-off manner as a challenge, or forget about him? How will the third character fit into all of this?

I don’t often outline exactly where I want a story to go when I start writing it. I usually have some vague idea of how I want it to end and a few events that I want to happen along the way. But sometimes the characters don’t want to go there. This story is a case where the characters themselves are directing the story, much as a well-run role-playing campaign should unfold. The intriguing thing to me is that I am learning about the characters as they are coming out, and I’m wondering what’s going to happen to them, as if I weren’t in control of their destinies. I suspect that this will make the piece strongly character driven, but it may be short on plot. I may have to shoehorn some of my own events in there to make it palatable.

I bought a ticket to go see Johnny A at the Gothic next Tuesday. I’m really looking forward to seeing him perform, and hopefully I will be able to get a fairly close seat.

Distraction or Procrastination?

I’m spending the day supervising my son as he works off a significant monetary debt that he owes to his mother. The plan was that I would set him to work, be available for questions, and get some writing done.

So far, he’s done a decent amount of work and I’ve been very distracted. However, considering what Bruce Holland Rogers says in Word Work, I wonder if my son is actually the source of my distraction or if I’m distracting myself. I doubt if I would be getting much worthwhile fiction or poetry writing done right now, with him saying “Hey Dad, you know what?” every few minutes, but I could at least be working on revisions or outlining a story.

In Word Work, Rogers outlines several different types and aspects of procrastination, and that’s exactly what I’m doing right now. However, I’m also kind of fooling myself into working around it, because I’m writing something — and that something is acknowledging the procrastination. No, it’s not a good justification for not doing the real writing, but it is making me examine and be aware of the procrastination, and that’s part of the purpose of this creativity journal.

I got e-mail from Melanie Tem today, asking if I would bring my guitar to our next writing class. She wants to examine the storytelling aspects of “Ode to Billy Joe” by Bobbie Gentry. I’ve got the music and the lyrics for that, so it should be fun. I’ve often thought that song was similar to Hemingway’s “The Hills Like White Elephants” in that it hints at serious topics without ever directly addressing them.

It’s about lunch time, so I’m going to go pick something up for Keith and me. He’s doing a pretty good job, but this will only go part of the way to paying back his Mom.