The Legend That Was Earth

The Legend That Was Earth

By:  James P. Hogan

Type:  Science Fiction Novel

Setting:  Earth in the near future

Description:

As we enter the story, a race of aliens known as Hyadeans have already made contact with Earth governments and businesses, and are assisting those governments in improving the quality of products, services and life in general for their citizens.  We focus on Roland Cade, a charismatic California businessman who makes his fortune by acting as a go-between for groups that would not normally intersect but occasionally have need for each other’s services.  Hyadeans pay particularly well for these services, hence Cade’s fortune.

Early in the book, we learn that not everyone thinks the Hyadeans’ involvement in Terran affairs is a good thing.  Cade’s ex-wife, Marie, is one of these people, and seems to be in possession of some information that would implicate the American government in a prominent political assassination involving both Hyadeans and government officials.  Against his will, Cade is drawn into a world of counter-intelligence, intrigue and lies that he had never believed existed, despite his ex-wife’s repeated attempts to point it out.

As the novel progresses, Cade learns that he doesn’t like much of what he sees in the American government, and Marie learns that not all aliens are bent on destroying Earth’s occupants.  Some of the Hyadeans actually thrive in the diversity of Earth’s varied cultures.  Having never lived in a diverse culture themselves, they never realized the importance of the individual, nor the benefits of art, music and religion.  With the help of a few key Hyadean and Terran dissidents, Roland and Marie Cade set about trying to spread the word that all is not as it seems on Earth, and in the United States in particular.

Their efforts spark a civil war in the United States, fueled by pro-government (and pro-Hyadean) sentiments in the east and anti-government sentiments in the west.  The war threatens to spread globally, and Roland is faced with the prospect of saving the world that he is helping to destroy. 

Comments:

This book reads more like a spy adventure novel than a science fiction novel.  To Hogan‘s credit, the integration of the Hyadeans into the world is seamless because we enter the story after First Contact has already been made and resolved peacefully.  However, the book suffers from uninteresting characters.  I found Roland Cade difficult to like, despite his portrayal as a charismatic individual.  His ex-wife, Marie, was equally difficult to identify with because of her fanatical views and her penchant for sharing them.  (Think Sarah Connor in Terminator 2, but without the grit.)  Sparks of romance fly between the two throughout the novel, especially as they come to understand each other’s viewpoints better, but the romance never really feels like it takes off.  Thankfully, though, the romance is not overdone, which would have been worse.

The military portrayals in this book seemed weak to me.  The descriptions of some of the Hyadean weapons were excellent, but the strategies followed by the American commanders on the western side of the civil war seemed childish, particularly when the Hyadeans started using their space-based weapons.  The only Terran military that seemed to have any clues at all about the scope and speed of advanced alien technology were the Chinese, and even they underestimated the Hyadean power.  In a world that had been benefiting from Hyadean technology advancements for several years, I would think any military commanders would have a better idea of what they faced, rather than producing blank stares at the results of the Hyadean strategies.

The bright spots in this novel come in the form of a few characters and the contrast between the Hyadean and Terran modes of life.  The most memorable characters for me are Luke, Cade’s assistant, and Hudro, an enlightened Hyadean military officer who makes a conscious choice to start saving lives, rather than taking them.  Both of these characters tend to take the focus in any passages in which they appear, and Luke does so primarily through his quiet, observant-yet-commanding nature.  Hudro is, in my opinion, the most individual of the Hyadeans, but not because he wears non-conforming colors.  He stands out because he learns how to think for himself, rather than relying on the spoon-fed pabulum that the other Hyadeans have never questioned.  In this way, Hudro is the focus of the book’s big strength:  he illustrates the difference between a society that focuses on the community and a society that focuses on the individual.

On a minor note, I didn’t see how the title related to the book until about fifty pages remained, in which Hogan makes several references to Earth as having a kind of legendary status on the Hyadean home world, Chryse.  This is mentioned a few times throughout the book, though I don’t remember Earth being billed as “legend” until the end.  In any case, I never was convinced that Earth was truly legendary to the Hyadeans (except maybe Hudro and couple of others.) 

Recommendations:

Though I don’t feel the book works well overall, I think it does carry an important message for today’s post-9/11 world.  I often hear people complain about how they don’t understand why the Islamic nations hate the United States so much.  Part of it is that they are raised to have that viewpoint; it is ever present in their media, especially in veiled totalitarian states like Iraq, Iran and Afghanistan.  They are taught to see us as a nation of infidels, as Satan’s tool, and they are taught not to question that, much as the Hyadeans are portrayed in Hogan’s novel.  They don’t see us as individuals, but as a group.

In the US, we are taught to be individuals from birth.  Even though we may belong to various ethnic, religious or political groups, we are always reminded of how we are distinct from each other and the world.  When we see television coverage of an al Qaida terrorist act, we see an individual and wonder, “Why would he want to do that?”  Like the Terrans in the novel, we don’t grasp that the other group’s motivations are societal, not individualistic.

If for no other reason, The Legend That Was Earth is worth a read with an ear toward that the illustration of that distinction.

The Left Hand of Darkness

The Left Hand of Darkness

By: Ursula K. LeGuin

Type: Science Fiction

Setting: Gethen, an ice world

Description:

Genly Ai, envoy of an eighty world organizational council known as the Ekumen, visits Gethen to offer the people there membership in his organization. Mired in a complex system of two-faced politics, he travels between two of Gethen’s major civilizations trying to garner support for his offer. All of the inhabitants of this world are human, though a significantly different strain from Ai’s; they are all ambisexual, changing (or rather gaining) sex randomly in a monthly cycle of procreation. 

Comments:

It is easy to see why this novel won the Hugo and Nebula awards when it came out. LeGuin writes in a grand style, focusing on the philosophy, social mores and fascinating sexuality of the Gethenians. At times, the dialog seems almost Shakespearean in nature, fitting the social structure of the people. Often they engage in a face-saving tit-for-tat word game known as shifgrethor, in which the goal seems to be keeping one’s own prestige while reducing the other’s without directly attacking their position. Shakespeare would have loved it, and it fuels the politics of all the major civilizations on Gethen.

LeGuin handles the ambisexuality issue admirably, especially in terms of how these people, who spontaneously “grow” one or the other set of genitalia at certain times of the month, react to Ai. To them, he seems to be permanently in the sexual state known as kemmer and this makes for some fascinating dilemmas, especially during an eighty-day trip across a giant glacier with one of the inhabitants of the world. LeGuin extrapolates the effects that ambisexuality would have on a world of people, as well. On Gethen, there is no war, rape, gender-based succession or any other kind of dominance/submission duality, but this is not to say that violence or seduction do not or can not exist. The Gethenians simply have not needed to conceive of the idea of killing more than a few of each other at a time, and then only in very extreme circumstances. Rape is a non-issue because people in kemmer go to kemmerhouses and mate with others there, and sexual urges do not manifest at all when they are not in that part of their cycle. When seduction or violence exist, they do so only as means to achieve political goals. Competition does exist on Gethen, but only in the political arena, and only against people who are considered to be equals.

Honor, integrity and mysticism play a big part in the book, as well. Ai’s main contact and ally on Gethen, a Prime Minister named Estraven, believes so strongly that what Ai proposes is right that he sacrifices his position and freedom to argue for it. He is banished from the Domains he once served, and throughout his exile his mystic faith sustains him. At one point, Ai compares Estraven to the yin/yang symbol, saying that it is a portrait of his balance and all-encompassing nature. Symbols of unity run throughout the novel, and are even alluded to in the title: (Light is) the left hand of darkness. LeGuin makes the point well that much of what we see as two opposites can more realistically be seen as two aspects of the same entity — two ends of the same stick. This is a central idea in eastern and some western mysticism, most notably Zen Buddhism and the ancient Hermetic tradition. 

Recommendations:

This book is excellent, and well deserving of the awards and reputation it has received. It is entertaining but also plants the seeds to make us think about the meaning of true unity, something we rarely understand in our dualistic society.

Jonathon Livingston Seagull

Jonathon Livingston Seagull

By: Richard Bach

Type: Extended Parable

Setting: An unknown coast, home of a large flock of seagulls

Description:

The book follows the exploits of Jonathon, a seagull determined to fly faster than any seagull has flown before. In his attempts, he is alienated from the flock and eventually kicked out to make a life of his own on another cost. Although this is seemingly disastrous, it becomes exactly what Jonathon needed, and he then has the freedom to experiment and devise new methods of flight control with no one to tell him he is wrong. 

Comments:

This is far more than just a book about a gull. It is obviously (and beautifully) a parable for the way Richard Bach feels we should live our lives. Everyone, regardless of profession or abilities, should be able to get something positive out of this short book. The main theme teaches us to do the best we possibly can at whatever we attempt, despite what the flock may say. In fact, Jonathon didn’t realize how much the flock was holding him back until he was away from it. Because he was no longer exposed to constant negative criticism, he was able to reach all of his goals and discover that he had new ones to strive for. 

Recommendations:

This book won’t be news to the kind of person who does his or her best at everything already, but it will be an excellent reading experience and a positive reinforcement to that lifestyle. For a person afraid to break away from an easy, comfortable lifestyle, this book may provide the incentive to do so. I know of no thinking being that would not be able to find something of worth inJonathon Livingston Seagull.

 

Idoru

Idoru

By: William Gibson

Type: Novel

Setting: Tokyo, when not in cyberspace

Description:

Idoru follows the actions of an intuitive ‘net surfer who is hired to investigate claims that one of the world’s fading rock stars is courting a Japanese virtual entertainer – the Idoru. The Idoru is an AI construct, and this gets some members of the rock star’s fan club in an uproar. 

Comments:

Soft, soft, soft. The idea presented here has incredible potential, but Gibson treats it as if he were writing for Tiger Beat magazine. Instead of exploring the nuances of a romance between a human being and an AI construct, we see the story from the viewpoint of a disinterested ‘net mercenary and a teeny-bopper fan of Lo/Rez, the fading international rock duo. It is interesting how the two main characters don’t meet until almost the end of the book, but instead of creating an all encompassing dual storyline, it feels like Gibson had two separate storylines and couldn’t decide which one to run with.

The book, like much of Gibson’s recent work, doesn’t carry the trademark acid rain style he made famous in Neuromancer and other innovative cyberpunk works. It seems like he is pulling back from that genre of science fiction and concentrating on lighter stories. Also, it could be that he has spawned so many cyberpunk clones (like Neal Stephenson) that his work just doesn’t seem as edgy as it used to.

To his credit, Gibson still does not make concessions to technophobes; if you do not have at least some familiarity with the internet and especially virtual worlds, parts of this book may not make much sense. 

Recommendations:

If you were turned off by Gibson’s early, darker work, you might consider giving him another chance with Idoru. If you read Gibson for the dark futures, the striking chiarscuro metaphors, the visionary insights, you may be disappointed.

The Green Hills of Earth

The Green Hills of Earth

By: Robert A. Heinlein

Type: Short Story Collection

Setting: Various

Description:

This book consists of several classic Heinlein science fiction stories, including “Delilah and the Space-Rigger,” “Space Jockey,” “The Long Watch,” “Gentlemen, Be Seated,” “The Black Pits of Luna,” “‘It’s Great to Be Back!'” “‘–We Also Walk Dogs’,” “Ordeal in Space,” “The Green Hills of Earth,” and “Logic of Empire.” 

Comments:

In this collection of classic science fiction stories, we see a few glimpses of Heinlein’s future history future history series and the military and social philosphies that Heinlein used to build such works as Starship Troopers and Time Enough for Love. The language is much simpler and the characterizations are more shallow, but the stories provide a wonderful backdrop to the later works. These stories are not intended for juveniles, as Red Planet is, but they also don’t tax your brain as much as some other Heinlein works like “The Unpleasant Profession of Jonathon Hoag” or “The House that Jack Built.” Also, they fit nicely into a spare hour or lunch break. 

Recommendations:

Good light reading from the end of the Golden Age of Science Fiction.