Poetry, Batting Cages, and Moss

I read poetry tonight at Coffee on the Lowell. The event had a modest turnout, though from what I understand, it was better than the last meeting. I didn’t think it was too bad for only their third outing. I did find out, however, that I listed the cross streets incorrectly on the West Side Books website. Coffee on the Lowell is at the corner of 50th and Lowell (or Regis and Lowell, depending on how you look at it) but I had listed it as 58th and Lowell on the website. It’s fixed now.

Ira Slotkin hosted the open mic, and Seth from the Mercury Cafe Jam Before the Slam was there as well. Zach, a counterpart of Seth’s, accompanied many of the poems on keyboard. (Sorry I didn’t get all the names, guys. I’ll get them next time.) Ira read several of his Spam haiku, the humor highlight of the evening. One woman read for the first time — and read well — choosing Wordsworth as her initiation. Another woman, a friend, read a poem that she said “scared her.” I can see why, after hearing it. It was disturbingly effective, and I think it took guts for her to air it. I read a few of my own poems, and closed with Hopkins’ “(Carrion Comfort).”

Afterward, I was finally able to deliver a critique of a story for my friend, the “scared poem” woman. I’ve had the critique for months, and have been wanting to get it to her, but our schedules haven’t allowed it until tonight. She appreciated the critique, despite all the green pen marks on it.

As for my own writing, I jotted down few more paragraphs of “Chesterfield Gray” at lunch. I hope to finish the story’s first draft Sunday and revise it the same day. I noticed that the new Writers of the Future Vol. XVIII is out, and Kim bought it for me as another early birthday present. (Thanks, Babe.) I’m officially getting behind. I still haven’t read last year’s volume, and I still have to read the second Harry Potter book and re-read The Two Towers before those movies come out.

I want to rant a bit about a couple of news stories that came to my attention. The first is fairly minor; it has to do with the lawsuit settlement between John Cage’s estate and a British composer name Mike Batt. The upshot is that Batt included a piece called A One Minute Silence on a CD by his band, The Planets. Cage is famous for his avant-garde piece 4′ 33″, a four minute, thirty-three second piece of silence which Cage used to perform live by sitting and looking at his piano as the audience fidgeted. Cage’s estate sued Batt for plagiarism, which seems ludicrous until you learn that Batt credited the piece to “Batt/Cage” on the CD. Oops. I’m guessing that if he hadn’t credited Cage as a collaborator, he would not have been hit with a lawsuit. Then again, he knew the piece was inspired by Cage, and acknowledged that. For that, he has to pay a six-figure sum to the John Cage Trust? Isn’t this a bit out of hand?

Speaking of “out of hand,” let’s talk about Randy Moss and the NFL. Specifically, let’s talk about Randy Moss getting his wrist slapped. This is a man who, intentionally and methodically, pushed a traffic officer half a block with the nose of his Lexus. He was charged with two misdemeanors, for which he will only be fined a maximum of $2000 by law. He is not likely to spend any more jail time because of the nature of his occupation and because of his celebrity status. The NFL has not suspended Moss for his actions, though he will be up for evaluation after his arraignment on October 2nd.

Compare this to the NFL’s denial of Peyton Manning’s request to wear black hightop shoes in tribute to Johnny Unitas. Manning is quarterback of the same team that Unitas helmed (or at least the team with the same name) and most of the news that I’ve read states that people in general think this was a classy move by Manning. However, the NFL denied the request, saying that if Manning wore the hightops, he could face up to a $25,000 fine.

One man commits a near-felony (some say it should have been a full-blown felony) and will probably get away with a slap on the wrist. Another asks if he can break uniform dress code — not breaking any laws, mind you, just a dress code rule — to pay tribute to one of his heroes, and is told that he will get a large fine if he does so. He decides not to, in order to keep from creating a distraction for his team. This says volumes, not only about the NFL’s priorities, but about the differences between how Peyton Manning and Randy Moss look at their positions on their respective teams.

The “Garden Variety” Writer Exposed

Okay, the cat’s out of the bag. I can finally say that I knew Brian Plante’s Chronicles of the Garden Variety Writers was fiction for most of its run. I began e-mailing Brian shortly after the series started, taking issue with the way he was playing unfairly with the writers in his group. He responded, in a rather civil and friendly way, but said that he planned on continuing the blog despite my objections and those of the other people who had e-mailed him to complain.

Encouraged that there might be a person with a real soul behind the e-mail, I continued the thread, and discovered that Brian really did care very much about how he was coming across, and he assured me that he had gone to “much greater lengths” than I could imagine to protect the people in his blog. I even did a little investigative web browsing, trying to point out to him how poorly the people were protected. I pinpointed the library where the group was meeting, the city they were in, and even attempted to check through back issues of the magazine in which he claimed to have found the ad for the group. I wasn’t able to find an exact ad, but I was convinced that an enterprising photographer (read out-of-work paparazzi) could hide out at the Hemby Bridge Library and snap blackmail photos of the group entering and exiting.

There was only one problem. I found reference to the county’s library system, and that it serviced the Hemby Bridge area. I could not find references to the shopping mall that Plante described. Enough of the details fit, however, that I was convinced Brian was endangering the trust of the people he was writing about. I could only think of one alternative, and that was that it was all fictional. At the end of one of our e-mails, I said to Brian that I hoped this was all made up so that he wasn’t playing with the lives of real people. He wrote back to confirm my guess the next day.

Brian asked me to keep quiet about it so the experiment could run its course, so I made mention of it in this journal a few times to see if I could assist in the experiment without directly exposing it. I did tell a few of my friends in Colorado about the blog’s fictional nature, because it hard sparked quite a controversy among us.

How do I feel about it now? I think it was a good experiment, and now that Brian has come clean about the nature of the blog, I think it succeeded. It’s a good way to illustrate some of the positive and negative workings of a writer’s group without betraying the trust of any real people. However, I also think it was a very risky thing for Brian to do to his career, and I know of a couple of people who lost respect for him because of the way he presented the fiction. Hopefully most editors and readers will look upon him with favor for daring to take the risk, rather than being upset with him for duping them.

Speaking of writer’s groups, the Melanie Tem group met tonight. I read what I had of “Chesterfield Gray” and got good feedback from the group as to where they thought the story should go. At the end of the meeting, I played “Ode to Billy Joe” on the guitar while Melanie sang the lyrics, aided by a few of the class participants. The assignment is to write something about what we think the narrator and Billy Joe threw off the Tallahatchee Bridge. I hope to come up with something completely off the radar and wedge it into a vignette before the next meeting.

Jammed

I’m jammed right now.

I’m sitting in front of my computer, trying to work on “Chesterfield Gray,” and Pig Won’t (as Bruce Holland Rogers calls the inertia we have to overcome in order to write) is doing everything he can to get me to stop. He’s distracting me with e-mails, sounds, thirst, games, and a sore butt. Some of these are easy to combat; the e-mails don’t come if Outlook isn’t open, the thirst trick works only once, and the sore butt is less sore after getting up to get the drink.

It pisses me off that I have lots of energy to spend on writing and thinking about writing except when I’m in front of the screen. Just opening Front Page to work on this journal entry was a battle of laziness vs. stubbornness. In this case, Pig Will won out, and I’m at least writing something. Maybe if I write enough of this, it will kick start the desire to move ahead on the story, the first draft of which I want to have done by the end of Wednesday night.

I don’t want to talk about the story itself too much in this blog. The parasitic nature of the ‘Net keeps me from wanting to say too much about the stories I’m writing. That probably comes across as a tease to those of you reading, and I apologize. However, this open journal is still, first and foremost, for my learning purposes. Its entertainment value for you, unfortunately, is a side benefit.

I suppose I can say that I’m at a point in the construction of the story where I need to figure out what the characters are going to do next. I need to figure out how the female character is going to crack the shell of the main male character. Then I need to justify his brusque behavior by getting a bit into his history. A central event will involve all the characters toward the end, and I will need to show their reactions to it, but I will only be able to get inside the head of one of the characters.

It’s interesting how this is coming out, because the overall viewpoint is limited omniscient; we get in the head of only one character — a sideline character, in fact — but we know what the other characters are doing. So far, that seems to be working, but I may need to revise it as the story progresses.

Okay, it feels like the juices are flowing a bit, so I’m going to switch gears and leave the journal entry for now. One quick note; I found out today that I won’t be able to attend Mile Hi Con like I was hoping to this year. I will be in Key West that weekend on business.

Later — I was able to get some work done on the story. I cleared up a few fuzzy areas and wrote three more pages. I’m glad I was able to beat back Pig Won’t this time. I’ll have to remember that directly addressing the issue by writing about it seems to take some of Pig Won’t’s power away. (Believe it or not, that’s a correct construction of a possessive proper noun, in this case!)

Jammin’ With Jim

I got to play music with my good friend Jim for the first time in a couple of years today. I showed him my finished Carvin Bolt Kit and my Fender Cyber-Twin, then we BSed for a while. Eventually, we sat down with our acoustic guitars and played for a couple of hours. It was refreshing to play acoustic with him, and we slipped back into some of our old tunes with no problems. He also taught me the chords to Dylan’s “Tangled Up in Blue,” which I had always wanted to learn, but never tried. I taught him “Ode to Billy Joe,” since I’ve been working on it for the Tem class on Thursday.

I also got an e-mail from another friend, Bill, who had written a powerful short-short that he wanted me to read. I won’t give away the story, but I was impressed with it. I hope he can find a home for it somewhere.

I had intended to write a review of Word Work tonight and write some more on “Chesterfield Gray,” but somehow a chunk of time vaporized between dinner and bedtime; it’s now after 11:00 PM and I have to get up at 5:30 in the morning. I’m going to listen to my body and sleep.

Right after I read Trey Barker’s Veil of the Soul. Honest.

Oh, the Broncos beat the 49ers to go 2-0 on the season. Good start, gentlemen! (No, that’s not where my chunk of time went. I sacrificed watching the Broncos game to spend time with Jim. I told you he was a good friend.)

Garage Sales & Source Enlightenment

Today I picked up a bunch of great books at a garage sale, including another copy of Ellison’s Angry Candy, Datlow’s Alien Sex anthology, several issues of Glimmer Train, a Leslie Marmon Silko book, the screenplay and director’s journal for Darren Aronofsky’s p(Pi), and Philip Toshio Sudo’s Zen Sex, the companion volume to Zen Guitar, which I reviewed on this website. My friend Dave also went to that garage sale, and purchased The Collected Stories of Philip K. Dick, Volume I. I saw him walking down the sidewalk, and asked if they had anything good at the sale.

“They did. But it’s yours, now. Happy early birthday present.” He handed me the book.

Thanks, Dave. 🙂

In the afternoon, I watched the Broncos-Rams game, glad to see that Brian Griese pulled through for the team. I get sick of the media hounding him, and it was nice to see him prove — again — that he’s a world class quarterback. During the game, I told my wife that I was going to either write or critique stories tonight, and that’s exactly what I did, after losing a close game of Literati to her. I beat her sister, though. (It’s strange to play a game over the Internet with someone who’s in the next room, but by doing so, we were also able to play with her sister in Phoenix. Pretty cool!)

I worked on “Chesterfield Gray,” getting into the swing of it by revising the three pages I had written before. I then continued for another page and a half, fact-checking WWII on the Internet as I went. I still didn’t know where the story was going, or why a WWII story was coming out, but I made a passing reference to Kamikaze attacks, and started exploring the main male character to see what made him tick. I decided that he had seen real death, and it had affected him deeply, and got to wondering which battles would be the most likely for him to have been in. I wanted it to be a battle where ships were known to have been directly hit by Kamikaze pilots, and the only ship that I knew off the top of my head had been hit was the U.S.S. Saratoga. She was badly damaged near Iwo Jima in 1945, with seven direct hits by Japanese aircraft. Three of those direct hits were Kamikaze strikes.

I know this because I dug out the obituary for my Uncle Wayne Johnson, who passed away in July. He was on the Saratoga on February 21, 1945, and was one deck below a direct Kamikaze hit. He spent the next ten days in a Hawaiian hospital, getting a glass eye and reconstructive surgery.

As I was reading the obituary, it hit me why I am writing this story. It’s my way of grieving for and paying tribute to my Uncle Wayne. Of course, the events in the story will only be tangential to his life, but I understand now why the story is coming out of me. I have a direction, now, and I can work on shaping the story into something worthy of his memory.

Wayne (sitting) and Lyle Johnson, brothers.  Cutter, New Mexico, March 2002
Photo © Stace Johnson, all rights reserved.